• Home
  • LifeStyle
  • Magazine
  • Woman
  • Top10
  • Fashion
  • Technology
  • Social Media
  • Travel

Subscribe to Updates

What's Hot

I had a strange dream last night!

Am I the ideal woman? Answer: I don’t want to be!

LOVE Don’t be someone else, be yourself! Let’s talk a little bit about you… 10 years ago

Subscribe to Updates

What's Hot

Cailee Spaeny Stars as Priscilla Presley in New Look

Meghan Markle put royal family ‘in the rearview’, reinventing herself as Hollywood power player: author

On this day in history, October 3, 1995, OJ Simpson is acquitted of murder charges in ‘trial of the century’

Facebook Twitter Instagram
  • About
  • Contact
Facebook Twitter Instagram Pinterest Vimeo
DailyTop10.Net
  • Home
  • LifeStyle
  • Magazine
  • Woman
  • Top10
  • Fashion
  • Technology
    Featured
    Technology January 11, 2023

    How to Make Your Smartphone Photos So Much Better

    Recent

    How to Make Your Smartphone Photos So Much Better

    Inside Intel’s Delays in Delivering a Crucial New Microprocessor

    Salesforce to Lay off 10 percent of Staff and Cut Office Space

  • Social Media
  • Travel
DailyTop10.Net
You are at:Fashion - Review: A Philharmonic Contestant Returns to the Podium
Fashion

Review: A Philharmonic Contestant Returns to the Podium

By DailyTop10January 6, 2023No Comments5 Mins Read1 Views
Facebook Twitter Pinterest Telegram LinkedIn Tumblr Email Reddit
Share
Facebook Twitter LinkedIn Pinterest WhatsApp Email

A changing of the guard was expected on the world’s largest orchestra podiums on Friday. Daniel Barenboim, 80, longtime music director of the Berlin State Opera, announced that he would step down at the end of the month due to his deteriorating health.

A potential generational shift was looming in the New York Philharmonic as well. The previous evening, 37-year-old Santtu-Matias Rouvali had led the community in the spirit of a sharp elf as one of the leading candidates to take over when 62-year-old Jaap van Zweden left at the end of next season.

Rouvali faces tough competition—not least from Gustavo Dudamel, 41, who arrived in New York this spring for Mahler’s Ninth Symphony, a classic music director showcase and considered the favorite of the position.

It’s no coincidence, however, that Rouvali is the only Philharmonic guest conductor to receive a two-week concert this season. Following the current work schedule of Rossini, Magnus Lindberg and Beethoven, Anna Thorvaldsdottir is directing Prokofiev’s music and – like Mahler, his main assignment – Stravinsky’s “The Rite of Spring,” which begins next Thursday.

The fact that each of these programs includes a new piece co-commissioned by the Philharmonic Orchestra is an added sign of trust and respect for Rouvali, head conductor of the Philharmonic in London: Thorvaldsdottir’s “Catamorphosis” and Lindberg’s Piano Concerto No. 3 – bless him for being one of the few contemporary composers who prefer plain, simple concerto titles – with the calmly awesome Yuja Wang as soloist.

Yuja Wang, front, Magnus Lindberg’s Piano Concerto No. He was a soloist at 3. Credit… Chris Lee

Rouvali at David Geffen Hall on Thursday was also a calm and straightforward guide throughout the piece – but this piece came off as choppy and a little baggy. The meter marks of the score are precisely measured for pulse changes that are not audibly perceived as slow-to-fast contrasts of pace; This may be why Lindberg arrogantly described the work as a concerto of three concertos rather than three parts.

But while this is an impressive technical feat, the whole thing registers to the listener as a somewhat homogeneous, roughly half-hour-long raid of rich chromatic nostalgia, the stripes of which are reminiscent of Korngold-style golden age soundtracks. (The modernist glow on a late-Romantic spirit has become Lindberg’s hallmark.) Like the Groundhog Day show, where a House speaker voted this week, the performance felt like hearing the same concerto over and over.

If this repetition added some urgency, the piece wasn’t exactly heavy either. Moment by moment, passage by passage, the music is not heavy. Lindberg keeps the orchestra airy, often adding complexity by dividing the strings into stronger harmonies than ever before instead of using denser instrumentation or louder volume. And the eerie solo part – especially in Wang’s cold hands – comes out as mercurial and subtle, integrating with the general textures and restrained even in the heated parts of the cadence towards the end of the first episode.

Lindberg never falls short of art, as in the example of the cadenza melting silky from soft plush strings and reuniting with the pianist so quietly and intelligently a minute or so later. The shadows at the beginning of the second part are organically transformed into broad, solemn splendor reminiscent of Debussy’s “La Mer,” with candied glockenspiel passages beautifully woven into the gold string of a small group of violins. The third act has a magnificent playfulness, punctuated by brass barks.

But overall the effect of the piece is quiet and airy, which is striking given the broad, Rachmaninoff-esque sweep of Lindberg’s musical movements.

One of a full line-up of conductors accompanying Wang over the coming months as he tours with the work, which premiered in San Francisco in October, Rouvali fits in with his clean and objective style. There is a conscience in Rouvali that can turn into honesty, as I felt a year ago when she conducted the Philharmonic Orchestra in Tchaikovsky’s Fifth Symphony. And Rossini’s Thursday’s “Semiramide” Overture lacked the impetus that constantly accumulates even in lyrical passages, which is why the piece exists; The souffle never really rose.

But in Beethoven’s Second Symphony—a still somewhat underrated classic—it was excellent, with its deliberate, even careful direction, providing an elegant, stylish interpretation. I am seldom more clearly but sensitively aware of Beethoven’s most visionary passages here: the orchestra reconstructs itself misty towards the end of the first movement, the shapeless clouds of harmony in the finale.

Under Rouvali, the second movement was sincere and restrained, but gradually relaxed, even reaching a charming gracefulness; third, it achieved grace, never rushing enthusiastic rhythms. This conductor is not short of breath and could probably do with a little more vitality. But when he avoids simplicity, his common sense can seem like maturity.

New York Philharmonic

This program is repeated until Tuesday at David Geffen Hall, Manhattan; nyphil.org.

It Was With Music
Share. Facebook Twitter Pinterest LinkedIn Reddit WhatsApp Telegram Email
Previous ArticleReview: ‘Aren’t We Pulling into the New Age’ Scenes a Disaster Reversed
Next Article In City Ballet, Alexei Ratmansky Can Let His Imagination Go Crazy
DailyTop10
  • Website

Related Posts

Lil Nas X laughs off sex toy thrown onstage: ‘Who threw they p—y’

July 2, 2023

Shania Twain trips and falls while singing ‘Don’t Be Stupid’

July 2, 2023

Taylor Swift reacts to viral video of her sprinting off stage

July 2, 2023

Leave A Reply Cancel Reply

Our Picks
Don't Miss
Travel January 6, 2023

Help! A Check-in Agent’s Mistake Made Me Miss Antarctica Trip And I Won $17,000.

An error by American Airlines prevented a passenger from arriving at the departure time of the cruise, but the carrier did not take financial responsibility and refused to pay travel insurance. Then our columnist stepped in.

Blood, Courage and Dinner

Subscribe to Updates

Demo
Top Posts

Interview with Emiranda Beka

June 1, 2023193 Views

Mr. Dastan Ibragimov Alidjanovich meets with Her Excellency Olga Algayerova, Executive Secretary of the United Nations Economic Commission for Europe, at the esteemed United Nations Office in Geneva.

August 26, 202392 Views

Interview with Prarthana Nandwani

July 19, 202322 Views

Help! A Check-in Agent’s Mistake Made Me Miss Antarctica Trip And I Won $17,000.

January 6, 202320 Views
Don't Miss
Movies October 3, 2023

Cailee Spaeny Stars as Priscilla Presley in New Look

‘Priscilla’ Trailer: Cailee Spaeny Plays Priscilla Presley in New Look Skip to content

Meghan Markle put royal family ‘in the rearview’, reinventing herself as Hollywood power player: author

On this day in history, October 3, 1995, OJ Simpson is acquitted of murder charges in ‘trial of the century’

Hailee Steinfeld and Josh Allen’s Relationship Timeline

Stay In Touch
  • Facebook
  • Twitter
  • Pinterest
  • Instagram
  • YouTube
  • Vimeo

Subscribe to Updates

About Us
About Us
WhatsApp
Our Picks

Cailee Spaeny Stars as Priscilla Presley in New Look

Meghan Markle put royal family ‘in the rearview’, reinventing herself as Hollywood power player: author

On this day in history, October 3, 1995, OJ Simpson is acquitted of murder charges in ‘trial of the century’

Most Popular

Analysis: What awaits Bitcoin on Christmas Day 2022?

December 22, 20220 Views

Commodity guru: 2023 will be a ‘hot period’ for Bitcoin!

December 22, 20220 Views

Fluidity has announced its launch on the Ethereum mainnet!

December 22, 20220 Views
  • Privacy Policy

Type above and press Enter to search. Press Esc to cancel.